As Cleveland’s eastern suburbs were just beginning to establish themselves in the 1920s, Cleveland’s Lee-Harvard neighborhood, bordering Shaker Heights, Warrensville Heights and Maple Heights on the the city’s south east side, was thriving in its own right.
The Lee-Harvard neighborhood, once known as Miles Heights Village and the Lee-Seville neighborhoods, was historically an integrated community of notable firsts. Ohio’s first African-American mayor, Arthur Johnston was elected in 1929 when the neighborhood was mostly white. His house on East 147th Street still stands today.
The neighborhood established many of the first citizen's councils and neighborhood associations in the region and had an interracial police force.
On Thursday, October 6, the Cleveland Restoration Society (CRS), along with Cleveland Ward 1 councilman Terrell Pruitt, the Harvard Community Services Center and CSU’s Maxine Levin Goodman College of Urban Affairs, will present “Cleveland’s Suburb in the City: The Development and Growth of Lee-Harvard.”
The free discussion will be led by Todd Michney, assistant professor at the University of Toledo and author of Changing Neighborhoods: Black Upward Mobility in Cleveland, 1900-1980.
“We at CRS have been so impressed with the neighborhoods of Ward 1, Lee-Harvard and Lee-Seville,” says Michael Fleenor, CRS director of preservation services, "because they reflect our recent history – Cleveland’s last expansion, progress in Civil Rights, and the growth of neighborhood associations and community development corporations in the late 20th Century."
Click here for photos and to continue reading about the fascinating history of this stalwart Cleveland neighborthood.
The Lee-Harvard neighborhood, once known as Miles Heights Village and the Lee-Seville neighborhoods, was historically an integrated community of notable firsts. Ohio’s first African-American mayor, Arthur Johnston was elected in 1929 when the neighborhood was mostly white. His house on East 147th Street still stands today.
The neighborhood established many of the first citizen's councils and neighborhood associations in the region and had an interracial police force.
On Thursday, October 6, the Cleveland Restoration Society (CRS), along with Cleveland Ward 1 councilman Terrell Pruitt, the Harvard Community Services Center and CSU’s Maxine Levin Goodman College of Urban Affairs, will present “Cleveland’s Suburb in the City: The Development and Growth of Lee-Harvard.”
The free discussion will be led by Todd Michney, assistant professor at the University of Toledo and author of Changing Neighborhoods: Black Upward Mobility in Cleveland, 1900-1980.
“We at CRS have been so impressed with the neighborhoods of Ward 1, Lee-Harvard and Lee-Seville,” says Michael Fleenor, CRS director of preservation services, "because they reflect our recent history – Cleveland’s last expansion, progress in Civil Rights, and the growth of neighborhood associations and community development corporations in the late 20th Century."
Click here for photos and to continue reading about the fascinating history of this stalwart Cleveland neighborthood.
The Museum of Contemporary Art Cleveland (MOCA) reopened its doors last Friday after a short hiatus following the wildly successful Myopia exhibit. While completely different in tone from the Mark Mothersbaugh show, the new installations reflect a unique and unexpected study in contrast that stimulates every sense.
Visitors are well advised to start at the top, as it were, in MOCA's fourth floor galleries, wherein Wall to Wall: Carpets by Artists unfurls. The contents are aptly described by the title – these are carpets, which sounds mundane at first blush. The content is anything but, with lush and gorgeous images that are beautifully served by the textile medium.
A sampling of the 30 works: Faig Ahmed's Oiling (2012) literally melts the concept of a traditional middleeastern rug design while Deep Purple, Red Shoes (Polly Apfelbaum, 2015), invites visitors to walk upon it, provided they remove their shoes. Nautilus shells notwithstanding, Infinite Carpet (Pierre Bismuth, 2008) recalls the golden rectangle. And speaking of arithmetic, Joseph Kosuth's L.W. (Remarks on the Foundations of Mathematics), 2015, will have viewers indeed believing that "2 + 2 + 2 are 4."
Traveling to the next component of the 2016 show sounds benign enough, but – as regular visitors have come to expect – MOCA's Stair A refracts the experience. While attendees navigate the twisting stairs, Anthony Discenza's audio installation A Rising Tide Lifts All Boats advises them thusly:
"Think Suicide Girls meets the Pillsbury Dough Boy."
"Think Baywatch meets the Cuban Missile Crisis."
"Think Jersey Shore meets Stephen King."
The deep resonant voice, which is fitting of any voice-over John Q. Public is fed by media sources at every turn, is so convincing, attendees may indeed be inclined to plop down and listen to every suggestion within the 23-minute installation.
"Think art deco meets Jurassic Park."
Continue reading ...
Visitors are well advised to start at the top, as it were, in MOCA's fourth floor galleries, wherein Wall to Wall: Carpets by Artists unfurls. The contents are aptly described by the title – these are carpets, which sounds mundane at first blush. The content is anything but, with lush and gorgeous images that are beautifully served by the textile medium.
A sampling of the 30 works: Faig Ahmed's Oiling (2012) literally melts the concept of a traditional middleeastern rug design while Deep Purple, Red Shoes (Polly Apfelbaum, 2015), invites visitors to walk upon it, provided they remove their shoes. Nautilus shells notwithstanding, Infinite Carpet (Pierre Bismuth, 2008) recalls the golden rectangle. And speaking of arithmetic, Joseph Kosuth's L.W. (Remarks on the Foundations of Mathematics), 2015, will have viewers indeed believing that "2 + 2 + 2 are 4."
Traveling to the next component of the 2016 show sounds benign enough, but – as regular visitors have come to expect – MOCA's Stair A refracts the experience. While attendees navigate the twisting stairs, Anthony Discenza's audio installation A Rising Tide Lifts All Boats advises them thusly:
"Think Suicide Girls meets the Pillsbury Dough Boy."
"Think Baywatch meets the Cuban Missile Crisis."
"Think Jersey Shore meets Stephen King."
The deep resonant voice, which is fitting of any voice-over John Q. Public is fed by media sources at every turn, is so convincing, attendees may indeed be inclined to plop down and listen to every suggestion within the 23-minute installation.
"Think art deco meets Jurassic Park."
Continue reading ...
When De’Anthony Harris was released from Grafton Correctional Institution last October, he had a new outlook on his future. And, thanks to Brandon Chrostowski, owner of EDWINS Leadership and Restaurant Institute on Shaker Square, Harris also has a second chance at a successful life.
During his eight years in prison Harris, now 27, did everything he could to improve his odds in the outside world. “The best thing that happened to me is I didn’t have kids when I went in,” he says. “The only responsibility was myself. I was blessed that I did the right thing.”
Harris enrolled in Chrostowski’s culinary training class at Grafton. He also earned his temporary commercial driver's license (CDL) for truck driving, a certification in pet grooming and any took just about any other workforce training program the prison offered.
Continue reading.
During his eight years in prison Harris, now 27, did everything he could to improve his odds in the outside world. “The best thing that happened to me is I didn’t have kids when I went in,” he says. “The only responsibility was myself. I was blessed that I did the right thing.”
Harris enrolled in Chrostowski’s culinary training class at Grafton. He also earned his temporary commercial driver's license (CDL) for truck driving, a certification in pet grooming and any took just about any other workforce training program the prison offered.
Continue reading.